
剧情简介
It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.Med Hondo uses this tracking shot to establish the sett…(展开全部)It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
资源列表
西印度群岛[简繁英字幕].West.Indies.1979.1080p.BluRay.x265.10bit.DD.2.0-SONYHD【6.25GB|2024-08-11】
西印度群岛[简繁英字幕].West.Indies.1979.1080p.BluRay.x264.DD.2.0-SONYHD【10.57GB|2024-08-11】
演职员

导演

演员

演员

编剧
相关图片






热门评论

NidomeAoki 2024-06-03 06:29:36 加拿大
(°▽°)好厉害一部片,各种历史教学(但要包括的事件太多感觉没太好串起来整体还是有些散了

没有昵称 2022-12-26 05:52:17 法国
一部手把手为你讲解法国殖民史的歌舞片,除了把历史和当代分成了两条线交错来讲以外,其他都顺顺当当一清二楚,从16世纪到电影拍出的20世纪七十年代。无论是殖民者的目标与手段还是殖民地人民的受压迫、妥协与反抗,都用直白的台词和鲜明的人物形象展现出来。与法国官方叙事不同的是,导演明显对法兰西王国、帝国、共和国的区分并不介意:同样的官邸、同样演员扮演的殖民官员,只是标语从“上帝与国王保护王国”变成了“自由平等博爱”。给高分因为是我看的第一部美国和法国之外的歌舞片,无论从音乐风格上(浓重的鼓声,非常昂扬)还是语言上(除了法语之外有大量的créole antillais)都让人耳目一新。另外,演法国总统的那个人并不像当时的总统Giscard,但不知为什么特别像当时的总理Raymond Barre @2021-10-04 07:05:54

Aislinn 2023-02-02 23:35:17 湖南
重看

难别箱舟 2024-08-29 20:38:21 四川
形式和内容很好,舞台剧的完美流畅运用&殖民地黑人的呼吁与宣言,评选进视与听250不足为奇

只抓住6个 2024-09-13 10:47:37 上海
非裔法导梅德·翁多一贯的殖民批判主题,既格林纳威又戈达尔,进而佩德罗·科斯塔。厂房一样的摄影棚内搭建立体舞台,场面调度和镜头运动灵活复杂,一定花了不少心思。

双木 2023-11-05 13:35:18 安徽
西印度群岛的殖民史与现代史
暂无评论内容